On the Making of Things
The Workshop
Craft notes, workshop thinking, and what we've been reading.

Workshop Notes

Six things we keep telling ourselves and each other.

The Rule of Three Drafts

One draft is a sketch. Two is a conversation. Three is where the real piece begins to exist. This is not a rule about effort — it is a rule about discovery. The first draft tells you what you think. The second draft tells you what you missed. The third draft tells you what the piece is actually about.

Read It Aloud

The simplest and most ignored instruction in all of writing. If you stumble reading a sentence, the sentence is wrong. If you hold your breath at a certain line, something is happening there — lean into it. Your body is a better reader than your conscious mind.

What Your Rejection Means

A rejection from us means three editors read your work and didn't reach consensus to publish it in this issue. It does not mean the work is bad. It does not mean you should stop. Most of the best pieces we will ever read will be ones we rejected. Send the next one.

On Titles

A title is a promise. It tells the reader what kind of attention to bring. A bad title is a broken promise before the first word. The right title is not necessarily the most accurate one — it is the one that creates the right expectation, then subverts it.

The Ethics of Real People

If someone could read your work and recognise themselves, you owe them something. What that something is depends on the work, the relationship, and the stakes. We cannot tell you what it is. You already know. The discomfort you feel about that question is not a reason to stop writing. It is a reason to write more carefully.

Ending Without Resolving

The best endings don't close — they open outward. They leave the reader somewhere different from where they started, with no clear path back. The ending is not the answer to the question the piece has been asking. It is the moment the reader understands what the question really was.

What We're Reading

Books that have shaped how we think about writing and editing.

The Situation and the Story
Vivian Gornick

"The best book on essay writing we know of. Gornick's distinction between the narrator and the memoirist clarifies the entire project of nonfiction in a single chapter."

Bird by Bird
Anne Lamott

"The antidote to perfectionism. Lamott gives you permission to write badly, which is the only way to eventually write well. Required reading before every first draft."

The Triggering Town
Richard Hugo

"A slim book about poetry that is secretly about everything. The essay on writing has been passed around our editing sessions more times than we can count. Read it before you submit."

How Fiction Works
James Wood

"Not a how-to. An invitation to think seriously about what prose is doing and why. Read this and you will never read the same way again."

Have something to say about craft?

We'll be publishing craft essays and editorial notes as the magazine develops. If you have a piece on craft, technique, or the writing life, we'd like to read it.